A domestic comedy about a bold post-ethics approach to rescuing the family finances. Trading in the kidneys (and other still a bit useful\u00a0 parts) of vulnerable street people.\u00a0 By the\u00a0 time anyone notices they are missing from their usual haunts, they are well and truly gone.
\n6 characters, 5 female, 1 male<\/p>\n
Stukke Theatre, Berlin, November 1997- January 1998.<\/strong> Grenzlandtheatre, Aachen, November 1998-January 1999.<\/strong> The Red Room, Lion and Unicorn, London, March 1998.<\/strong> \u201cBrave and brilliant.\u201d\u00a0 <\/em>Der Tagesspiegel <\/p>\n","protected":false},"excerpt":{"rendered":" A domestic comedy about a bold post-ethics approach to rescuing the family finances. Trading in the kidneys (and other still a bit useful\u00a0 parts) of vulnerable street people.\u00a0 By the\u00a0 time anyone notices they are missing from their usual haunts, they are well and truly gone. 6 characters, 5 female, 1 male Stukke Theatre, Berlin, … <\/p>\n
\nDir Erika Gesell, Assistant dir:\u00a0\u00a0Johannes Steinbrucher,
\nCast: Ulrike Folkerts, Michaela Hinnenthal, Verena Jasch, Eva Mannschott, Svea Timander, Nicolas Weidtman<\/p>\n
\ndir Ulrich Simontowitz
\nCast: Ingeborg Meyer, Heike Schmidt, Silke Jensen, Andreas Pegler,
\nIrene Lindner, Christiane Ohliger.<\/p>\n
\nDir Lisa Goldman
\nCast: Lesley Faulkner, Sarah Downing, Roger McKern, Victoria Davies, Victoria Fairbrother, Jean Farrrell<\/p>\n
\n<\/em>Highly recommended\u201d <\/em>Zitty
\n<\/em>\u201cA powerful writing talent\u201d\u00a0 <\/em>Die Welt
\n\u201c<\/em>Funny, biting dialogue\u201d \u00a0<\/em>Berliner Morgenpost
\n\u201cStrong, believable characters,\u00a0 snappy, witty dialogue\u201d\u00a0\u00a0 <\/em>Die Tageszeitung<\/p>\n